The Paris Review
Subscribe Current Issue Back Issues Interviews Blog Books Print Series Audio Foundation Events Store About

The Paris Review Interviews

Return to Interview Archive Index

LOUIS-FERDINAND CELINE
The Art of Fiction No. 33
Interviewed by Jacques Darribehaude, Jean Geunot
Issue 31, Winter-Spring 1964
Purchase this issue

From the Interview
INTERVIEWER
What are you trying to show?

CELINE
Emotion. Savy, the biologist, said something appropriate: In the beginning there was emotion, and the verb wasn’t there at all. When you tickle an amoeba she withdraws, she has emotion, she doesn’t speak but she does have emotion. A baby cries, a horse gallops. Only us, they’ve given us the verb. That gives you the politician, the writer, the prophet. The verb’s horrible. You can’t smell it. But to get to the point where you can translate this emotion, that’s a difficulty no one imagines. . . . It’s ugly. . . . It’s superhuman. . . . It’s a trick that’ll kill a guy.


NOTE: We regret that we have been unable to obtain web rights to this interview. We have worked hard to make this archive as complete as possible, and hope you’ll forgive us the omission. If you would still like to read this interview, a copy of the issue in which it originally appeared is available here.

The Editors

Listen Read Look



SEARCH     Full Search
E-mail this page | Print | View Cart | Check Out
Selections From the Current Issue
Summer 2010
INTERVIEW
R. Crumb, David Mitchell
FICTION
Katherine Dunn
DISPATCH
Julia Whitty
MEMOIR
Wenguang Huang, Victor LaValle
POETRY
Matthew Zapruder
PHOTOGRAPHS
Jeff Antebi
Related Links
Authors Mentioned
Paul Morand, Henri Barbusse, Charles Ferdinand Ramuz
DNA logo
©2010, The Paris Review
Terms and Conditions Privacy Policy Contact Site Map